Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction, 1936 (Sculpture 1 reading)

Some Criteria for Evaluation by William Powhida

The artist’s website:http://williampowhida.com/wordpress/

criteria
 

Richard Serra and the Tilted Arc controversy – 1981

TiltedArc.pdf
 
tiltedarc
 
tilted arc
 

 

Hito Steyerl- Politics of Post Representation

Hito Steyerl | Politics of Post-Representation «DIS Magazine
 
hito_steyerl

A representational mode of thinking photography is: there is something out there and it will be represented by means of optical technology ideally via indexical link. But the technology for the phone camera is quite different. As the lenses are tiny and basically crap, about half of the data captured by the sensor are noise. The trick is to create the algorithm to clean the picture from the noise, or rather to define the picture from within noise. But how does the camera know this? Very simple. It scans all other pictures stored on the phone or on your social media networks and sifts through your contacts. It looks through the pictures you already made, or those that are networked to you and tries to match faces and shapes. In short: it creates the picture based on earlier pictures, on your/its memory. It does not only know what you saw but also what you might like to see based on your previous choices. In other words, it speculates on your preferences and offers an interpretation of data based on affinities to other data. The link to the thing in front of the lens is still there, but there are also links to past pictures that help create the picture. You don’t really photograph the present, as the past is woven into it.

 

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